[Coin-discuss] copyright stuff
Robin Lougee-Heimer
robinlh at us.ibm.com
Wed Mar 26 17:52:00 EST 2003
For those of you interested in the legal side of things, questions like:
How can I not be the author if I wrote the code?
Don't all copyrights eventually expire?
Here are some interesting links that came my way thanks to my esteemed
colleague, Mike Henderson.
Robin
http://www.wikipedia.org/wiki/Sonny_Bono_Copyright_Term_Extension_Act
"As a result, many literary works, movies and fictional characters,
which were quite profitable for the copyright owners, were
threatened with soon passing into the public domain. This included
several characters owned by the Walt Disney Company; without the
act, Mickey Mouse would have entered the public domain between 2000
and 2004 when early short films such as Steamboat Willie and Plane
Crazy were due to reach the end of the 75-year copyright term.
Copyright owners successfully lobbied Congress for an extension of
copyright, to provide for the same term of protection as exists in
Europe. Hence both houses of the United States Congress passed the
act as Public Law 105-298 with a voice vote, making it impossible to
determine who voted for the act and who voted against it, and passed
it during both the Monica Lewinsky sex scandal and the Kosovo War,
ensuring that the act would get little coverage from the mainstream
media.
As a consequence of the act, no copyrighted works will enter into
public domain due to term expiration in the United States until
January 1, 2019, when all works created in 1923 will enter into
public domain.
In addition to Disney, Sonny Bono's widow and Congressional successor
Mary Bono and the estate of George Gershwin supported the act. Mary
Bono, speaking on the floor of the U.S. House of Representatives,
noted that "Sonny wanted the term of copyright protection to last
forever", but that since she was "informed by staff that such a
change would violate the Constitution", Congress might consider Jack
Valenti's proposal of a copyright term of "forever less one day".
Wonder what they're passing this week...
http://www.fumetti.org/pubmik.htm
"Under the old Copyright Act of 1909, copyright protection attached
to any work published with a proper copyright notice. Conversely,
copyright protection was terminated, instantaneously, for any work
published without a legally effective copyright notice. A legally
effective copyright notice consisted of three elements: [1] the word
"copyright", or the symbol "c", or the abbreviation "copr.", [2] the
year of first publication in the United States (the "year-date"), and
[3] the name of the copyright proprietor. In certain cases the
year-date could be omitted without rendering the notice ineffective.
Notice omitted from a single copy was sufficient to place a work into
the public domain. Because this result was deemed too harsh, the
notice requirement was (in essence) removed from the new Copyright
Act of 1976. Consequently, forfeiture is not an active concept in the
1976 Act, however, that concept is still alive and applicable for all
copies published before 1978."
There's this 1998 NYT Op-ed piece --
http://www.law.asu.edu/HomePages/Karjala/OpposingCopyrightExtension/commentary/zeitlin.html
And here's some history on copyright and "work for hire":
http://cyber.law.harvard.edu/IPCoop/91jasz1.html
"Justice Brett, the Master of the Rolls, expressed his views somewhat
dyspeptically:
I confess I have the greatest difficulty in construing this Act
of Parliament. Persons who draw Acts of Parliament will sometimes use
phrases that nobody else uses . . . It says -- "The author, and
so on -- of every original painting." Who ever, in ordinary life,
talks of the "author" of a painting?
[N]ow we have "the author" of a photograph. I should like to know
whether the person who drew this Act of Parliament was clear in his
mind as to who can be the"author" of a photograph. . . . [The
plaintiffs] think that they are the authors of the photograph because
the photograph is made and formed by the work of their mere servants.
. . . They may live 200 miles off. Can they be called the authors of
a photograph of which they know nothing? It is done by their
servants. They may go to the shop once a week; and when they are
there they may superintend the operations, though I suppose they very
seldom do. . . . Take this very case. It is not pretended that these
gentlemen were at the Oval; they were either in London or fifty miles
perhaps the other side of London. . . . I confess I cannot be very
clear about it, all I can do is see who is the nearest person -- the
nearest like the author of a painting or the author of a drawing.
Certainly it is not the man who simply gives the idea of a picture,
because the proprietor may say, "Go and draw that lady with a dog at
her feet, and in one hand holding a flower." He may have the idea,
but still he is not there. He may be 100 miles from the place, and he
may have given the instructions by letter. . . ."
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